In 1987, Paul Verhoeven gave us RoboCop — a brutal, satirical sci-fi classic about a slain cop reborn as a cyborg enforcer. Sharp, violent, unforgettable.
Three years later came RoboCop 2. Directed by Irvin Kershner, rewritten from Frank Miller’s darker script, it landed as a chaotic blend of violence, satire, and spectacle. Flawed, but impossible to forget.
Then came Showgirls (1995) — Verhoeven’s wild, excessive gamble that crashed hard and became one of Hollywood’s most notorious flops.
Now imagine these worlds colliding. The grit of RoboCop, the chaos of RoboCop 2, and the outrageous excess of Showgirls. Out of that fusion comes RoboCock 2 — part homage, part parody, all madness.
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